Overview 

Prologue

Faith, the main theme discussed in this sūrah, pervades all sūrahs revealed in Makkah during the early period of Islam. The subject is examined in all its major aspects from God’s oneness: “Do not invoke any other deity side by side with God, lest you find yourself among those suffering punishment.” (Verse 213), to fearing the Day of Judgement: “Let me not suffer disgrace on the Day when all shall be raised from the dead; the Day when neither wealth nor children will be of any benefit; but only the one who comes to God with a sound heart [will be happy].” (Verses 87-89); belief in the revelation bestowed from on high to Muhammad (peace be upon him): “Most certainly, this [Qur’ān] has been bestowed from on high by the Lord of all the worlds. The trustworthy Spirit has brought it down into your heart — so that you may give warning.” (Verses 192- 194), and explaining the risks to which anyone who denies the faith exposes himself including a destructive punishment that may take place in this world, or punishment in the hereafter that awaits the unbelievers: “They have indeed denied [the truth of revelation]; and they will in time come to understand what it was they were wont to deride.” (Verse 6) “Those who are bent on wrongdoing will in time know what an evil turn their destiny will surely take.” (Verse 227)

The sūrah also consoles the Prophet as he faces the determined denials of his message and divine revelation: “Would you, perhaps, torment yourself to death [with grief] because they would not believe?” (Verse 3) It reassures the believers and strengthens their resolve to endure all the hardships they faced, presenting them with examples of earlier believers who remained steadfast when confronted with similar difficulties.

The main body of the sūrah is devoted to historical accounts that take up 180 verses of the sūrah’s total of 227. Apart from these historical accounts, the surah includes a short introduction and final comments, but the three elements form a single coherent unit that presents the main theme in different styles, serving a single objective. Hence, only those episodes that are relevant to each historical situation are presented.

An air of warning, for those who reject God’s messages, and the subsequent punishment He will inflict prevails throughout. This is only logical since the surah provides a response to the Quraysh unbelievers who denied the Prophet Muhammad, derided his warnings, turned their backs on God’s revelations, hastened the threatened punishment and described revelation and the Qur’ān as either sorcery or poetry inspired by devils.

Although the entire sūrah forms one unit, we will divide it into short passages according to the order it follows.

The sūrah recounts here a major episode from Moses’ history, which fits perfectly with the main theme and the emphasis it places on the fate of those who deny divine messages, accusing God’s messengers of fabrication. It also comforts the Prophet as he faces the unbelievers’ accusations, reassuring him that God will always take care of His message and those who believe in it and continue to advocate it in the face of determined opposition. Such advocates may be powerless, unable to match the might of the tyrannical forces lined up against them and who subject them to brutal persecution. This incidentally was precisely the case of the Muslims in Makkah at that time. Providing such historical accounts was one of the means of educating the Muslim community employed in the Qur’ān.

Earlier in the Qur’ān, episodes from Moses’ story were told in Sūrahs 2 The Cow, 5 The Repast, 7 The Heights, 10 Jonah, 17 The Night Journey, 18 The Cave and 20 Ţā Hā, with some brief references to it in other sūrahs. In each case, the presented episode or reference fits perfectly with the theme of the sūrah and matches the main drift of its context. The same applies here. The account clearly contributes to the illustration of the theme. Here, we see how Moses met with opposition from Pharaoh and his people. It ends with their drowning to forestall any attempt to persecute Moses and his followers. It also mentions the fact that Moses and the Children of Israel were saved. This confirms the truth of God’s statement at the end of the sūrah, threatening the unbelievers: “Those who are bent on wrongdoing will in time know what an evil turn their destiny will surely take.” (Verse 227) It also confirms the same threat mentioned at the opening of the sūrah: “They have indeed denied [the truth of revelation]; and they will in time come to understand what it was they were wont to deride.” (Verse 6)

This episode is divided into a number of scenes, with gaps in between. These gaps are very brief, allowing the curtains to drop on one scene before they are raised again to reveal another. This is an important aspect of the Qur’ānic approach to storytelling. We have here a total of seven scenes, beginning with one in which we see how Moses receives God’s call, is assigned his message and given revelations. It also includes the dialogue that took place between him and his Lord. The second scene consists of the confrontation between Moses and Pharaoh and his chiefs, in which Moses shows the two signs given to him, namely, his staff and his hand becoming shining white. Pharaoh’s scheming as he gathers his sorcerers and assembles all the people for the confrontation provides the third scene. We are then entertained to a scene of the sorcerers gathered in Pharaoh’s presence, making sure that they will receive some handsome reward. The fifth scene shows the contest that ends with the total submission of the sorcerers and their declaration of their belief in God, followed by the threats uttered by Pharaoh. Next, we have two images: God’s inspiration to Moses to move forth with God’s servants by night, and Pharaoh’s sending summoners to raise an army to chase the Children of Israel. The final scene is that of the two hosts drawing close by the sea and its dramatic end: the sea is parted, and the believers are saved while the unbelievers are drowned.

These scenes are also painted in Sūrahs 7, 10 and 20: The Heights, Jonah and Ţā Hā respectively. But in each case, they are presented in a different way, suited to the context in which they occur. Thus they serve to highlight what is suitable for each sūrah. For example, in Sūrah 7, The Heights, the confrontation between Moses and Pharaoh is briefly recounted, and that of the sorcerers and their assembly is shown at a rapid pace, while the picture of Pharaoh’s scheming with his chiefs is related at length, giving more detail. It also shows the signs given to Moses during his stay in Egypt following his contest with the sorcerers before showing the scene at the sea with the believers being saved and the unbelievers drowned. It then moves on to provide several images of what happened to the Children of Israel after they crossed the parted sea. Nothing of this is mentioned in this sūrah, while we have more detail of the argument that took place between Moses and Pharaoh about God’s oneness and the revelations He vouchsafed to His messenger. This was the central point of argument between the Prophet Muhammad (peace be upon him) and the unbelievers in Makkah.

In Sūrah 10, Jonah, the first scene of confrontation is briefly shown, making no mention of the two signs given to Moses, namely the staff and his hand. It also provides a brief reference to the contest between Moses and the sorcerers, while both scenes are shown here in more detail. Sūrah 20, 11 Ha, portrays the first scene of the dialogue between Moses and his Lord at greater length, before painting the scenes of the confrontation with Pharaoh and the contest with the sorcerers in great detail. It also accompanies the Children of Israel for a long part of their journey. In this sūrah, however, nothing is mentioned about what happens to them after they were saved. Hence, we can say that there is no repetition of the story despite the fact that numerous references are made to it in the Qur’ān. The episodes chosen for discussion each time, the scenes painted, and the aspects emphasized in each scene and the way they are portrayed makes each account stand out at its particular position as new, and perfectly suited to the context in which it occurs.

The sūrah has given us an account of Moses and Pharaoh and the latter’s ultimate end. It gives hope to the believers suffering persecution in the world, as were the small group of Muslims in Makkah at the time. The story also portrays the destruction of arrogant tyrants whose attitude was basically similar to that of the idolaters in Makkah.

The sūrah now moves on to tell us about Abraham and his people. The Prophet (peace be upon him) is ordered to relate this story to the unbelievers. For they claimed to be the custodians of Abraham’s heritage in so far as they followed his old faith, even though they addressed their worship to multiple deities. Indeed, they went even further, placing idols in the Sacred Mosque built by Abraham as a focus for the followers of the pure faith based on God’s oneness. The Prophet is required to tell them Abraham’s story so that they know whether their claims are right or not.

In this Sūrah, historical accounts are not given in their chronological order, because it is only concerned with the lessons to be derived from these accounts. In Sūrah 7, The Heights, conversely, the historical line of how power was assumed by different peoples and the succession of God’s messengers since Adam were important points to stress. Hence, the accounts of earlier prophets there followed a strict chronological order, starting with man’s fall from heaven to begin human life on earth.

The episode in Abraham’s story given in this sūrah concentrates on the message he delivered to his people, the debate he had with them, his denunciation of their alleged deities, addressing all worship to God alone and his reminder of the Day of Judgement. This is followed by a complete scene from the Day of Judgement when idolaters will deny those very deities they used to worship, and regret their past actions that are certain to land them with a terrible end. It is all shown as if it is already happening now. The lesson the story delivers here is aimed primarily at the idolaters. Hence, the sūrah speaks at length on the basics of the monotheistic faith, the fallacy of polytheism, and the destiny of idolaters. All other aspects are only briefly hinted at, while they are nonetheless detailed in other sūrahs.

Other episodes in Abraham’s life were given in Sūrahs 2, 6, 11, 14, 15, 19, 21 and 22. In each, the episode chosen is the one most suited to the main theme of the sūrah. In Sūrah 2, The Cow, for example, we read the episode of his building the Ka`bah, together with his son, Ishmael. He is shown praying to God to make Makkah, the Sacred City, secure. He is also shown declaring that the Muslims will be the true heirs of the Ka`bah and its builder, as they will be the ones who will follow his faith based on God’s oneness. This is not an inheritance based on blood and ancestry. Thisfact is given within the context of the Israelites’ disobedience and denials and their expulsion by God who gave Abraham’s heritage and the House he built to the Muslims.

In the same sūrah we have Abraham’s debate with the unbeliever king when Abraham stressed God’s power telling the king that God alone causes life and death, and that it is He who causes the sun to rise in the East. He challenged the king to make it rise in the West, thus ending all argument. Abraham is also shown in this sūrah praying to God to let him see how He brings the dead back to life. God ordered him to slay four birds and to place parts of each on different mountains. God then brought them back to life and they flew back to Abraham. All this is given in a context that concentrates on God’s power, the signs He has placed in the universe and His ability to bring the dead back to life.

Sūrah 6, Cattle, describes Abraham searching for his Lord and how he recognized Him and His power after looking carefully at the stars, the moon and the sun, and reflecting on other universal phenomena. The entire sūrah concentrates on faith and universal signs pointing to God, the Creator, who has no partner whatsoever. In Sūrah 11, Hūd, Abraham is given the happy news of the birth of his son, Isaac, but this is given as the Sūrah relates Lot’s story and how the angels sent to destroy Sodom and Gomorrah visited Abraham on their way. The episode shows the care God takes of His chosen servants and how He deals with arrogant transgressors.

Sūrah 14, named Abraham, shows him praying by the Sacred Mosque, the Ka`bah, for his offspring whom he placed in a barren valley. He praises and thanks God for giving him his sons, Ishmael and Isaac, in his old age, and prays to Him to make him and his descendants people who attend regularly to their prayers. He further appeals to God to answer his supplications, forgive him, his parents and the believers on the Day of Reckoning. The whole context of this sūrah then is to show all followers of God’s messengers as one community, believing in one message, that of God’s oneness. Those who deny God’s messengers are also shown to belong to one camp. The divine message is portrayed as a large tree providing shade in an arid climate of disbelief.

Sūrah 15, al-Ĥijr, relates the same episode given in Sūrah 11, with more detail, within the context of bestowing mercy on believers and inflicting punishment on unbelievers. The episode given in Sūrah 19, Mary, concentrates on his gentle approach to his father, the latter’s stiff reply, Abraham’s moving away from his people, and how he was blessed with Ishmael and Isaac. All this comes in a sūrah that portrays God’s care for His chosen servants, generating a clearly felt ambience of love and compassion.

In Sūrah 21, The Prophets, we are shown how Abraham called on his father andwere the Arabs in Makkah ashamed of doing likewise. It was sufficient that their forefathers did something for them to then accept it as valid without question. Indeed a stumbling block in the way of the Islamic message was that the idolaters were required to abandon their forefathers’ religion. This they did not want to do because it would detract from those ancestors’ standing and constitute an acknowledgement that they were in error. This would be too disrespectful of their forefathers. Such otiose values are thus allowed to stand in the way of the truth. In times of inflexible obduracy people stick to such values in preference to the truth. Hence, they needed to be shaken violently in order to release their minds and faculties.

The  sūrah  as we have seen recounts Abraham’s story after it had given a more detailed one of Moses, thus going back in history. Now it goes further back to tell us about Noah and his people. The chronological order is not important here because the focus is on the ultimate end of idolatry, on the end of denials of the divine message. Like the accounts of Moses and Abraham, Noah’s story is referred to in several sūrahs. It was given, in brief, in sūrah 7, The Heights, within the context of a historical account of God’s messengers and their messages. There it followed Adam’s fall from heaven, concentrating on Noah’s advocacy of God’s oneness and his warning to his people that they were risking grievous suffering. They accused him of being deep in error, expressing their amazement that God should send them a human messenger. Their punishment by drowning is mentioned but without going into any detail.

In  Sūrah 10, Jonah, the story is given in brief, concentrating on the end of his mission when he challenged his people, yet they still denied him. He was saved with those who followed him, while the others were drowned. Sūrah 11, Hūd, provides many more details about the flood, the ark and what happened after the flood. It mentions, for example, Noah’s prayer for his son who was drowned with the rest of the unbelievers. In this sūrah  we are also given an account of the sort of debate his people had with him about God’s oneness. In  Sūrah  23, The Believers, Noah’s account concentrates on his call to people to worship God alone, and their objection to the fact that he is a mere mortal like them. They accuse him of wanting to press his favoured position. They claim that God could have sent angels, and they accuse Noah of madness. He turns to God, appealing for support. Then follows a very brief reference to the ark and the flood.

In many instances, like the present sūrah,  Noah’s story is given together with stories of the `Ād, Thamūd, Lot’s people and the Madyan. The prominent features of the account given here are Noah’s call on his people to fear God and his declaration that he expects nothing by way of reward. Also important is his refusal to expel the poor who believe in God at the request of those who consider themselves noble. This was also demanded of the Prophet Muhammad (peace be upon him) by the elders of the Quraysh in Makkah. We are also told of Noah’s appeal to God to judge between him and his community, and God’s response which resulted in the drowning of the unbelievers.

Overview (Verses 1 - 5)

The Prophet’s Unnecessary Concern 

Ţā. Sīn. Mīm. These are verses of the Book that makes things clear. (Verses 1-2) The sūrah begins with three separate Arabic letters, Ţā Sīn Mīm, indicating that the verses of the Qur’ān, the book that sets things in full clarity, including the present sūrah, are made out of such letters. These letters are available to those who deny divine revelation, and they cannot produce out of them anything similar to this clear book. The nature of the book is discussed at the beginning and end of the Sūrah, just as it is discussed in every sūrah which has a similar beginning employing separate letters. The sūrah then addresses the Prophet who is concerned about the idolaters and saddened by their rejection of his message and the Qur’ān. It comforts the Prophet telling him that the whole matter is not worth his concern. God could easily have forced them to believe by showing them a clear sign they would not have been able to resist: “Would you, perhaps, torment yourself to death [with grief] because they would not believe? If We will, We can send down to them from the skies a sign before which their necks will remain bent in submission to it.” (Verses 3-4) There is here a note of remonstration with the Prophet for showing too much concern for the unbelievers and their attitudes: “Would you, perhaps, torment yourself to death [with grief] because they would not believe?” (Verse 3) The Prophet is shown to be suffering because of his certainty that their rejection will inevitably incur punishment. Since these people belonged to his own clan and community, he took the matter to heart, feeling heavy at the inevitable prospect. God, however, is too caring to leave him to his grief. The sūrah tells him that his responsibility does not include bringing these people into the fold of believers. Had it been God’s will, He would have sent down a miraculous, overpowering sign that would have rendered all their arguments meaningless. They would then have had no option but to declare their belief in God and submit to Him. The verse gives a graphic picture of their submission to such a sign: “their necks will remain bent in submission.” (Verse 4) This image depicts them with their necks permanently bent, unable ever to look up. But God Almighty has not chosen to provide such a compelling sign with His last message. Instead, He has made the Qur’ān, a complete and perfect code of living, His miraculous and overpowering sign.

The Inimitability of the Qur’ānic Style The Qur’ān is miraculous in its construction and artistic presentation, maintaining the same features of excellence throughout. Thus, it is totally unlike human works where we note variations in standard, power and level even by the same author and within the same work. By contrast, the Qur’ān maintains its artistic characteristics at the same level throughout, demonstrating that it is the work of the One who is not influenced by changing situations and temporary circumstances.

The Qur’ān is also unique in its intellectual structure and the mutual complementarity of its parts. Nothing in it occurs by mere coincidence; nothing occurs out of place. All its directives and legislative orders are in full harmony, address human life and regulate all its aspects. There is absolutely no contradiction in it even at the level of minute detail. Not a single aspect or provision in its full volume of legislation is incompatible with human nature. Everything turns around the same pivot, serving the same aim, and maintaining full harmony. This could never have been achieved by human endeavour. It can only be the product of limitless knowledge that is free of the constraints of time and place. It is only such absolute knowledge that can produce such a complete and flawless code. The Qur’ān is unique in the easy, flowing way it penetrates hearts and souls, opening every lock and touching every point of effect. The way it provides simple and easy solutions to intractable problems is remarkable. On the other hand, its method of educating and moulding people in accordance with its own system, using only the lightest of touches, free of complexity, irregularity or deception, is also extraordinary.

The Islamic message is designed by God to remain open to all communities and all generations. It is not meant for any particular group or location. Hence, its miracle should also remain available to all regardless of their community and generation. Hence God made the Qur’ān His miracle, rather than providing a physical miracle that leaves its onlookers speechless, having no counter argument. Physical miracles silence only those who see them, but they subsequently become no more than a piece of history. Conversely, the Qur’ān remains today, more than 13 centuries after its revelation, an open book outlining a code for life. People today find in it all that they need to put their lives on the right course, should they but determine to implement it. It leads them to a better world, higher horizons and an infinitely superior destiny. Future generations will find in the Qur’ān much that we have not been able to discover, because the Qur’ān gives every seeker what that seeker needs, while its treasures remain self-renewing, limitless. The unbelievers were unaware of this central issue. Therefore, they continued to turn a deaf ear whenever Qur’ānic revelations were read out to them. “Yet whenever any fresh reminder comes to them from the Most Merciful, they always turn their backs on it.” (Verse 5) We note that God’s attribute mentioned here is ‘the Most Merciful’ indicating His great act of mercy, namely the revelation of the Qur’ān. Thus, their turning away from it appears in its reality: it is an abhorrent act that rejects God’s care and grace. They deprive themselves of such mercy when they are the ones who need it most.